Guy Dangain, Jean Koerner - Robert Schumann / Phantasie Stücke Op. 73 - Drei Romanzen Op. 94 / Claude DeBussy / Rapsodie Pour Clarinette / Witold Lutoslawski / Dance Preludes (Vinyl, LP)

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  1. THEMATIC UNIFICATION IN ROBERT SCHUMANN'S FANTASIA, OP. 17 by RUDY MARK ROZANSKI The University of British Columbia A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE STUDIES (School of Music) We accept this thesis as conforming to the required .
  2. Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing th.
  3. View credits, reviews, tracks and shop for the Vinyl release of Robert Schumann / Phantasie Stücke Op. 73 - Drei Romanzen Op. 94 / Claude DeBussy / Rapsodie Pour Clarinette / Witold Lutoslawski / Dance Preludes on Discogs.
  4. Schumann's father was a bookseller who encouraged Robert's musical and literary talents. Robert started studying piano at age In , he enrolled at the University of Leipzig as a law student, although he found music, philosophy, and Leipzig's taverns more interesting than the law.
  5. Die CD Robert Schumann: Fantasie op jetzt probehören und für 13,99 Euro kaufen. Mehr von Robert Schumann gibt es im Shop.
  6. Jul 18,  · T he year witnessed a period of intense activity for Robert Schumann (–56) which, among other chamber works, saw the creation of his op, initially entitled Soirée-Stücke für Pianoforte und Clarinette and subsequently published by C. Luckhardt, Kassel in July of the same year as his Fantasiestücke, op (). 1 The excellent edition by G. Henle (Munich, ), edited by Ernst Author: Benjamin Reissenberger, Eric Hoeprich.
  7. Guy Dangain, Jean Koerner: Guy Dangain, Jean Koerner - Robert Schumann / Phantasie Stücke Op. 73 - Drei Romanzen Op. 94 / Claude DeBussy / Rapsodie Pour Clarinette / Witold Lutoslawski / Dance Preludes ‎ (LP) Calliope: CAL France: Sell This Version.
  8. If we then describe Schumann’s Op 17 as a fantasia quasi una sonata, we remind ourselves of an obvious model for the generic duality displayed in Schumann’s conception of the piece: namely, Beethoven’s two sonatas Op 27, both of which were published in as sonata quasi una fantasia. (One thinks, too, of Schubert’s ‘Wanderer.

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